This is let me take a minute let me take a break
This is how we or do we take a break or can we
Are you sure we can or this is how we do or are
Are are are are are you are you are you are you
Over
Take a break
This is let me take a minute let me take a break
This is how we or do we take a break or can we
Are you sure we can or this is how we do or are
Are are are are are you are you are you are you
Over
Take a break
Rivers wash away
Carrying our shit
To who knows where
But who knows, knows
Where
There must have been
Some first human, bedecked
In naked who realized this
As he watched his shit
Float
This was supposed to be
Pretty. This was supposed
To make me think of green
And leafy things, so strong
Crisp
Snapping against our legs
As we break the grass before
Us working so hard to reach
The shore where we can
Shit
Scene opens on ROBOT running
Away, across a grey, meteor-pitted
Landscape
It is Ganymede, so there are flashes
Of green and blue and red in the grey
Ash
But mostly it is grey which makes it
Difficult to perceive ROBOT who is
Running
Away cross the screen, over the jagged
Pitted surface of a desolate moon of
Jupiter
The planet looms high in the black inky
Sky--washed out and pale since this was the
Fifities
But actually probably more accurate than
Our oversaturated present, with its wandering
Robots
Who are, technically, also running away
Without legs, of course, but with outlandish
Speed
ROBOT is running away from something
He may not even remember, since his memory
Banks
Are full of pain and suffering of some kind
Inflicted on him on Ganymede by those who
Love
But ultimately hate him. So he runs; he runs
And he is most assuredly crafted in metal to be
Male
He runs, this ROBOT with pencil thin legs
Radio head with yellow blinking light and
Antennae
And the scene fades as he runs, now a tiny
Glistering speck of metal against a vast, vast
Grey
It is 1975
A solo dog runs across
Scene
Panning back
The camera reveals
Wreckage
Two cars have
Collided, 70's
Cars
Big boxy beasts
With lots of plastic
Wood
And chrome, plastic
Chrome for miles and
Miles
Slumped over the
Wheel of one is Lucille
Ball
She was drunk, of course
Having just Tonight
Showed
In the day, because day
Filming and day
Drinking
And you would go to
A doctor and be offered
Scotch
The other driver is
Groucho escaping his
Abuser
70's TV comedy
Ensues with biopic
Pathos
For some reason
Main Character
Has to make a
Sudden escape
In a self-propelled
Parade float
Papier-mâché
Bursting into
Butterflies of
Wafting paper
(Replete with
Accent marks)
Careening this
Way and That
Tissue paper
Streaming like
Toilet paper
Caught on your
Heal
I hover over my new vacuum
Robot, not to monitor their duty
To the job, but out of sheer joy
And
Amazement. Yes, I am that kid
Still who sincerely believed that
A gift of walkie-talkies was the
Absolute best best best and I love
You forever, oh wow oh wow oh
I
The robot comes in a plain brown
Box, like porno mags used to be
Delivered. Uncle Ken had Playboy
Sent to his house and had a TransAm
Aunt Wanda loved him and loved that
TransAm
Now that's where it gets complicated
This salacious appeal to my boyish
Desires that were entirely sexual but
Had nothing to do with sex as anyone
Might define it. Desire. Desire? Is it
Understandable?
No, so I hover over this robot, watching
How they negotiate this wild mountain
Of rug, this leg of lamp, this chair that
Keeps moving because I keep moving
It
And I am in sheer ecstasy. Such a
Simple and wonderful thing. The
Code runs through my mind.
Decision trees play out in simple
Desire
Desire to clean, desire to map--desire
To know. I hover over my little round
Friend because I have to. That's me
Down there. Seeking the map. Seeking
The spots to suck up the detritus of a
Decade
My Uncle Ken Lost an eye in an Industrial Accident My grandpa Lost his hearing Working the Mines What did I lose because of my labor? My h...